| Issue | Title | |
| Vol 44, No 1 (2018) | Ebonics - 2000 | Abstract |
| Victorio Reyes Asili | ||
| Vol 47, No 2 (2021): Heirloom: Preserving HBCU Futures | Ecumenical Service | Abstract |
| Ashley Mack-Jackson | ||
| Vol 45, No 1 (2019) | Edge | Abstract |
| Betsy Fagin | ||
| Vol 13, No 1 (2012): Special Issue - Afro Brazilian Literature | Eduardo de Assis Duarte and Maria Nazareth Soares Fonseca, eds. Literatura e afrodescendência no Brasil: antologia crítica (in four volumes). Belo Horizonte: Editora UFMG, 2011. | Abstract |
| Melissa E. Schindler | ||
| Vol 47, No 1 (2021) | Elderly Man at Horseshoe Lake Park (A Fiction) | Abstract |
| Michal Jones | ||
| Vol 41, No 1 & 2 (2015): Call & Response: Experiments in Joy and Furious Flower: Seeding the Future of African American Poetry | Eleggua & Eshu Ain’t the Same | Abstract |
| Phillip B. Williams | ||
| Vol 14, No 2 (2013): Selections From Obsidian at North Carolina State University | Elephant Speaks to The Dove | Abstract |
| celeste doaks | ||
| Vol 47, No 2 (2021): Heirloom: Preserving HBCU Futures | Elusive | Abstract |
| Lenard D. Moore | ||
| Vol 47, No 1 (2021) | Embedded Charcoal Series 1: Maryland White Oak | Abstract |
| R. Treshawn Williamson | ||
| Vol 47, No 1 (2021) | Embodiment: Notes from The Archivist’s Logbook, I & We Travel Time | Abstract |
| L. Renée | ||
| Vol 42, No 1 & 2 (2016): Speculating Futures: Black Imagination & the Arts | Encounter | Abstract |
| Ivan Forde | ||
| Vol 42, No 1 & 2 (2016): Speculating Futures: Black Imagination & the Arts | Energy & Intention Reverberator with Grounding Circle | Abstract |
| Rhonda Wheatley | ||
| Vol 40, No 1&2 (2014): Obsidian 40th Anniversary Special Issue: Jeffery Renard Allen | Entering "Song of the Shank" | Abstract |
| Ethan Nosowsky | ||
| Vol 47, No 2 (2021): Heirloom: Preserving HBCU Futures | Erros | Abstract |
| Douglas Kearney | ||
| Vol 13, No 1 (2012): Special Issue - Afro Brazilian Literature | Estranho Indagar (Strange Quest) By Miriam Alves | Abstract |
| Doris Gilliam | ||
| Vol 48, No 2 (2022): Obsidian's Genderqueer/Genrequeer Playground | Everyone Knows Utopia Means No Place | Abstract |
| Georgie Fehringer | ||
| Vol 43, No 2 (2017) | Excerpt from the Introduction to The Whiskey of Our Discontent: Gwendolyn Brooks as Conscience & Change Agent | Abstract |
| Quraysh Ali Lansana & Georgia A. Popoff | ||
| Vol 43, No 1 (2017) | excerpt from "The Last Salsa Singer" | Abstract |
| Ivelisse Rodriguez | ||
| Vol 43, No 1 (2017) | Exhibited | Abstract |
| Andre Jones | ||
| Vol 41, No 1 & 2 (2015): Call & Response: Experiments in Joy and Furious Flower: Seeding the Future of African American Poetry | Experiments in Joy | Abstract |
| Chloë Bass | ||
| Vol 48, No 2 (2022): Obsidian's Genderqueer/Genrequeer Playground | Exploration | Abstract |
| Kengel Maysonet Baegra | ||
| Vol 48, No 2 (2022): Obsidian's Genderqueer/Genrequeer Playground | -extant | Abstract |
| Michal MJ Jones | ||
| Vol 47, No 2 (2021): Heirloom: Preserving HBCU Futures | Extremities | Abstract |
| Fred L. Joiner | ||
| Vol 42, No 1 & 2 (2016): Speculating Futures: Black Imagination & the Arts | Eyes of Xhosa | Abstract |
| Iyanna L. Jones | ||
| Vol 48, No 1 (2022) | Failed Sonnet | Abstract |
| Ayokunle Falomo | ||
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ISSN: 0888-4412