Vol. 45 No. 2 (2019)

View Vol. 45 No. 2 (2019)

Published: 2020-09-23

COUNTER/NARRATIVES: AN ASAP/10 ROUNDTABLE IN CONVERSATION WITH JOHN KEENE

Introduction: Narratives & Counternarratives

Kimberly Quiogue Andrews
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in relation: a semi-cento with, for & about john keene (et al.)

Evie Shockley
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John Keene’s Narrative Economy

Phillip Brian Harper
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Seismosis/Semiosis: Shaking Up Black Meaning

Tyrone Williams
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Keener Sounds

Aldon Lynn Nielsen
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Refusing Access

Susan Cooke Weeber
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Thoughts & Responses

John Keene
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WHAT DO WE TELL FREEDOM, NOW? EMANCIPATION & ART

Introduction: What Do We Tell Freedom, Now?

Khanyisile Mbongwa
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Timeline of African Countries Receiving Independence

Obsidian Obsidian
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Tomorrow, There Will Be More of Us: 2020 Curatorial Statement

Khanyisile Mbongwa, Dr. Bernard Akoi-Jackson, Nontobeko Ntombela
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QUEER, not yet here

Kopano Maroga
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My feet ached for liberation

Vuyi Qubeka
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Healing through Revealing: Research as an Emancipatory Praxis

Rashieda Witter
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Locating the Role of African Film Festivals under Pan-African Ideologies

Silas Miami
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The Second Johannesburg Biennale

Carol Becker
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Kampala Art Biennale in Retrospect

Martha Kazungu
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On Emancipation, Freedom & Art

Kwasi Ohene-Ayeh
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The Bienniale Phenomenon in the Congolese Context

Jean Kamba
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To Imagine Is To Be: Towards the Stellenbosch Triennale

Dr. Mike Tigere Mavura
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Stellenbosch Triennale Artist Announcement 2020

Obsidian Obsidian
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Water

Koleka Putuma
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Stellenbosch Triennale 2020: Selected Works

Obsidian Stellenbosch
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SEE WHAT I’M SAYING IS: WRITING + IMAGE

Introduction: See What I’m Saying Is: Writing + Image

Douglas Kearney
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MAMA’S GUN COVER SECTION

Obsidian Obsidian
Penitentiary Philosophy

Aleshea Harris
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Didn’t Cha Know

Justin Phillip Reed
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Her Life (The Black Girl’s) in Unedited Episodes

Anastacia- Reneé
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... & On

Rosamond S. King
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Cleva

Yona Harvey
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Sugah Heys Back (An Interlude Disguised as Exegesis)

Rone Shavers
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Booty

Danez Smith
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Hesi

Cathy Thomas
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A.D. 2000

Saretta Morgan
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come live

Duriel E. Harris
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Orange Moon

Aziza Barnes
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Bag Lady: The Yam Remix

LaTasha N. Nevada Diggs
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Time’s A Wastin’

Alexis Pauline Gumbs
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It’s Halfway Through the School Year (After “Green Eyes” By Erykah Badu)

Treasure Shields Redmond
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UNPROMPTED, BUT ON-TIME

Obsidian Obsidian
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a king ailey on ery corner

avery r. young
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Hello, My Name Is… (2012)

Kenyatta A.C. Hinkle
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Hello, My Name Is… (2012)

Kenyatta A.C. Hinkle
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Hello, My Name Is… (2012)

Kenyatta A.C. Hinkle
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I Will Become The Kneegrow (2016)

Kenyatta A.C. Hinkle
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The Lineage of A Kneegrow Pt. 1 (2010)

Kenyatta A.C. Hinkle
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A Genealogy of Roses & Other Names

Chaun Webster
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M or a Chemical Equation for Dismemberment

Chaun Webster
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A Body of Work: SPINE

Chaun Webster
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A Body of Work: HEAD(ER)

Chaun Webster
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from The Black & White Sonnet Series

giovanni singleton
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Scores

Davu Seru
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Place from Where My Mother Was Taken

Marion Hall
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But I Can’t

Marion Hall
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from RE•ÄL’

Darrel Alejandro Holnes, Joseph Malfettone
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In Blackblues There Is This We

Lillian-Yvonne Bertram
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from Undex

M. NourbeSe Philip
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Dollar Straight/Dollar Box

Jonah Mixon-Webster
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Ti Ador(n)o

Shayla Lawson
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from Olio Notebooks

Tyehimba Jess
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from r-a-g

Yolanda Wisher
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Not Just Many Bodies of Water…

Julie Ezelle Patton
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CONTRIBUTORS

CONTRIBUTORS

Obsidian Obsidian
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